Sutcliff reviewed: The Shining Company (July 1990)

Reliving a glorious past -
Children's Books

Sunday Times, The (London, England)
July 15, 1990
Author: Susan Hill

Estimated printed pages: 5

Rosemary Sutcliff has never tried to ingratiate herself with young readers by making her prose bland and easily digestible. The complexities ofher style are not gratuitous, but reflect the depth and complexity of her subject-matter. Those without an innate historical sense or taste need to be encouraged to read her, because they discover that she not only makes bare facts ``come alive" but attempts to make sense of them, and to illuminate legend, in human terms. She is also an extraordinarily rich, exciting and poetic writer. To those of my generation who thrilled to The Eagle of the Ninth, it is a pleasure to read her latest book, The Shining Company (Bodley Head Pounds 7.99), and find her still at the height of her powers.

The inspiration for it comes from an early northern British epic poem such sources are often the triggers for her fiction about 300 young, keen warriors belonging to the tribe of King Mynyddog in 600 AD who were brought together and trained for a year, as a fighting brotherhood, before being sent out against the invading Saxons. The hero is Prosper, son of Gerontius, a shieldbearer to one of them, and the story concerns him, his close friends and confederates, and his bond-slave. It is a remote time, and values and customs are completely alien to those of our own, particularly the concept of fealty and loyalty to a king, an individual lord, a blood brother. Rosemary Sutcliff gets under the skin of adventurous young men in trying to reveal what made them follow a leader and give their lives gladly in his service. It is as inspiring, and tragic, as any similar war story involving a ``shining company" of golden boys, and this intricate, compellingly imagined and beautifully told story makes period and people sympathetic and comprehensibl in our own time.

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BBC's Eagle of the Ninth, 1977

Finally, I found a good photo of BBC's 1977 series of Eagle of the Ninth, showing Aqulia leading his troops. Details of the production can be found here. Marcus Aquila was played by Anthony Higgins. This scene, was, I think also briefly shown in Togas on TV recently, along with a couple of other scenes. Any chance of a DVD release please of the whole series, Auntie Beeb?

From a pedant's point of view, the armour looks dodgy. As it's AD 117 they'd be OK with lorica segmentata, but it looks like scale armour. And the helmets are odd too. Perhaps they are auxiliaries? Nethertheless, I'd rather have a well acted drama with naff costumes than nothing at all ...

27/7/2017 Edit: See this blog post for links to the whole series on YouTube!

Sutcliff and Simon Schama (October 2000)

Television Review

Independent, The (London, England)/Financial Times
October 5, 2000

Estimated printed pages: 3

THE PROBLEM with the past is that it just won't stay put: it's always shifting to accommodate our needs, our assumptions about the sorts of people we are. Not long ago, I re-read Rosemary Sutcliff's children's story, The Silver Branch, which is set in Britain towards the end of Roman rule. When I first read it, 25 years ago, I took it as a fairly faithful recreation of the period; second time around, what was striking was how obviously it was the product of the time it was written, the 1950s. The story has two young Romano- British patriots on a spying mission in Saxon-occupied Britain - sleeping in haylofts, evading the brutal Germanic invaders with the help of friendly locals: it's basically a Second World War resistance yarn transposed to the fourth century.

By contrast, Sunday's opening episode of A History of Britain by Simon Schama (BBC2) presented a much gentler picture of the same period. Schama disdained talk of "apocalypse" in favour of gentle change - Roman Britannia "morphed" into the Anglo-Saxon kingdoms; the process was "an adaptation, not an annihilation".

Partly, no doubt, the differences between Sutcliff's picture and Schama's reflect advances in understanding. But Schama's version also said something about the way we live now: this was history for a multicultural society, one that embraces difference and defines its relationships with the outside world in terms of trade and economics, not wars and empires. Schama depicted the Roman occupation of Britain in similarly benign terms - the odd violent episode aside, it was a matter of seduction rather than conquest. Hadrian's Wall was depicted as a conduit for trade, not a military frontier.

Full article at:

http://docs.newsbank.com/openurl?ctx_ver=z39.88-2004&rft_id=info:sid/iw.new

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Film rights

I've been contacted recently by someone from the US trying to find out if a particular book by Rosemary Sutcliff has had the film rights bought. I've passed her onto Anthony Lawton, needless to say. But she did ask if there were any 'fun' titles I'd like to see on film ... I told her the books that are most often mentioned by fans I've met (Eagle of the Ninth* and Mark of the Horse Lord), plus threw one in of my own (Sword at Sunset). Lets see if it comes to anything in the coming years ...

But which of Sutcliff's books would you like to see on the big screen?

*Yes, I know that Eagle of the Ninth was serialised by the BBC, but it's a fat lot of good if the Beeb neither shows it now, nor issues it on DVD

The Witch's Brat, Red Fox, 1990

Red Fox, Paperback, 1990